Through the lens of the justice for Gorge Floyd protests, my dissertation offers a critique, consultation, creation, and contribution to the visual imagery emerging from the digital activism of social movements. Built upon a foundation of counterpublics, critical race counterstory, counternarratives, the Black public sphere, rhetorical-cultural narrative, rhetorical-cultural memory, visual social semiotics, hashtag activism, and media framing and schemas, I engage in a rhetorical-semiotic-technocultural analysis of the justice for George Floyd protests, as a social movement. I position myself as a visual specialist artist, activist, academic, and advisor for social movements engaged in social justice and social change. I argue that culture, as moderator, traversed the rhetorical-semiotic-technocultural messaging of the visual imagery emerging from the digital imagery of the justice for George Floyd social movement which motivated global citizens to take to the streets to demand social justice and social change. Drawing upon the justice for George Floyd movement, I offer artists, activists, and academics ten activist strategic propositions for the preservation of the cultural narrative, memory, and history of social movements which may utilize visuality to withstand social movement backlash.
Tag: digital activism
Link
Through the narrative retelling of the events leading up to and through the Capitol Riot and George Floyd protests, I reveal the point-of-views from polar opposite cultural viewpoints and how the cultural context changes the visual social semiotic meaning of the same imagery through the vantage point of an alternative concept. I do not believe that this visual analysis alone will change what people believe about the Capitol Riot and George Floyd protests, but it is my goal to use the narrative information visualization for this visual analysis, as a tool to broaden the audience’s understanding of why people believe what they believe about the Capitol Riot and George Floyd protests. Perception is reality and everyone’s perceptions are unique; thus, peering into reality is no more distinct or precise than peering through a prism, to see what color is on the other side. Culture and context are the prism, and reality is the rainbow of refracted light on the other side.