🏆 Award-Winning Filmmaker 🎥 Creative Visual Communicator and Storyteller 💡 Changemaker 📱 Digital Survivalist 🎙️ Tech Evangelist
Category: PORTFOLIO
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Christopher Odom has long been drawn to the significance of visual stories. Their power to influence people and enact social change through digital mediums captivated him and led him to pursue a PhD in Texts and Technology here at UCF. He believes that digital stories may hold the key to making a difference in our society and raising awareness about issues that might otherwise be ignored. “What someone feels through the power of imagery and story might inspire them, over time, to change the world,” he says.
“Still I Rise: Remix” is a visual, lyrical, digital interactive fight song for civic action for the #BlackLivesMatter social justice and social change movement. Created during and by the stressors intensified from the global pandemic, this JavaScript interactive poetry remix embraces the digital activism made exponential during the pandemic through the platformization of counternarratives. The remix blends multiple digital mediums with cultural artifacts of the past and present to weave together a rhetorical and semiotic interactive experience that enlightens society and uplifts the human spirit. Through multimodality and intertextuality, “Still I Rise: Remix” exploits the aesthetics of the digital interactive experience through multiple artistic forms of expression, including code, video, audio, and hypertext. This COVID E-Lit interactive exhibition is a multimodal expression and declarative statement for the #BlackLivesMatter movement which embodies the spirit of change, inclusion, and social justice. “The medium is the message.” Experience “Still I Rise: Remix.”
The Narrative of the Image 📱 ACM Hypertext and Social Media 2020 – This poster paper explores semiotics and rhetoric as narrative in social media visual culture, specifically with issues of identity and social change on social media platforms such as YouTube. Under the umbrella of semiotics, postmodernism, and poststructuralism, the paper builds upon the work of Roland Barthes, Stuart Hall, and Safiya Umoja Noble by expanding the concepts of visual semiotics, visual rhetoric, postcolonialism, critical race theory, and algorithms to examine the narrative of the image.
