Category: RESEARCH

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MINNEAPOLIS, MN – MAY 26: Protesters march on Hiawatha Avenue while decrying the killing of George Floyd on May 26, 2020 in Minneapolis, Minnesota. Four Minneapolis police officers have been fired after a video taken by a bystander was posted on social media showing Floyd’s neck being pinned to the ground by an officer as he repeatedly said, “I can’t breathe”. Floyd was later pronounced dead while in police custody after being transported to Hennepin County Medical Center. (Photo by Stephen Maturen/Getty Images)

Through the narrative retelling of the events leading up to and through the Capitol Riot and George Floyd protests, I reveal the point-of-views from polar opposite cultural viewpoints and how the cultural context changes the visual social semiotic meaning of the same imagery through the vantage point of an alternative concept. I do not believe that this visual analysis alone will change what people believe about the Capitol Riot and George Floyd protests, but it is my goal to use the narrative information visualization for this visual analysis, as a tool to broaden the audience’s understanding of why people believe what they believe about the Capitol Riot and George Floyd protests. Perception is reality and everyone’s perceptions are unique; thus, peering into reality is no more distinct or precise than peering through a prism, to see what color is on the other side. Culture and context are the prism, and reality is the rainbow of refracted light on the other side.

The Narrative of the Image 📱 ACM Hypertext and Social Media 2020

The Narrative of the Image 📱 ACM Hypertext and Social Media 2020 – This poster paper explores semiotics and rhetoric as narrative in social media visual culture, specifically with issues of identity and social change on social media platforms such as YouTube. Under the umbrella of semiotics, postmodernism, and poststructuralism, the paper builds upon the work of Roland Barthes, Stuart Hall, and Safiya Umoja Noble by expanding the concepts of visual semiotics, visual rhetoric, postcolonialism, critical race theory, and algorithms to examine the narrative of the image.

The Narrative of the Image

This poster paper explores semiotics and rhetoric as narrative in social media visual culture, specifically with issues of identity and social change on social media platforms such as YouTube. Under the umbrella of semiotics, postmodernism, and poststructuralism, the paper builds upon the work of Roland Barthes, Stuart Hall, and Safiya Umoja Noble by expanding the concepts of visual semiotics, visual rhetoric, postcolonialism, critical race theory, and algorithms to examine the narrative of the image.