Author: ChristopherOdom

Dr. Christopher C. Odom earned his PhD in Texts and Technology, Digital Media at the University of Central Florida; his MFA in Film and Television from the University of California, Los Angeles; and his BA in Film and Video Production from Georgia State University. Throughout Dr. Odom’s 30-year career in the entertainment industry, as a filmmaker, Dr. Odom has produced, directed, written, shot, and/or edited +500 short and longform creative projects. In addition, for over a decade as a Course Director at Full Sail University, Dr. Odom has supervised and developed an additional +500 student short scripts and films. A published author and domestic and international award-winning filmmaker and voiceover talent, Dr. Odom’s work has appeared in major cities worldwide, including Cannes, Berlin, Tel Aviv, New York, and Los Angeles. A former story analyst for Creative Artists Agency and a member of the Writers Guild of America Independent Writer’s Caucus, Dr. Odom’s directing, producing, writing, cinematography, editing, and on-camera credits include feature films with international distribution through Entertainment One, promos and trailers for the nationally televised ITVS-produced PBS series Independent Lens, and aviation news stories for Airborne-Unlimited on the Aero-News Network. Dr. Odom recently finished his short documentary film “Justice for George Floyd: The Tipping Point?” about the visual imagery emerging on social media from the Justice for George Floyd Protests, as a social movement. He is currently in postproduction on the feature documentary version of the same film. Learn more about Dr. Odom’s background on LinkedIn.

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This social justice and social change interactivity presentation is an interactive audiovisual rhetorical argument for #BlackLivesMatter that employs digital media elements of both generative and participatory culture art. If only we could walk a single day in another person’s shoes… We are all the sum of each of our own unique experiences and reality is a perception based upon one’s vantage point within one’s immediate cultural narratives and awareness of the context. Just because you may not have personally killed anyone, does not mean killers do not exist. By the same token, stereotypes, hegemonic marginalizing tropes, systemic racism, and systemic injustice exist, whether or not you are an active participant, unwilling beneficiary, or injustice-denier. Systemic racism and injustice are pervasive and permeate throughout society. This social justice and social change interactive experience is designed as an educational learning tool and a visual rhetorical argument for the #BlackLivesMatter social movement.

Episode 543: Q&A Time!

Episode 543 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Christopher Odom has long been drawn to the significance of visual stories. Their power to influence people and enact social change through digital mediums captivated him and led him to pursue a PhD in Texts and Technology here at UCF. He believes that digital stories may hold the key to making a difference in our society and raising awareness about issues that might otherwise be ignored. “What someone feels through the power of imagery and story might inspire them, over time, to change the world,” he says.